When you imagine a movie set in the world, you think of something like fancy galleries and auctions and things like that. The art in this movie is high stakes for the characters, but it’s not like there’s some big sale at the end of the movie. The work is so personal. I’m interested in why you wanted to depict art on that scale.
We were interested in showing the process of making stuff and not the highlight moments, but the moments that occur every day. Just going into these studios and watching artists work—I made a couple of short films of artists working while we were working on the script. I filmedand her studio is nearby our camera house in Portland. If I'm ever overwhelmed, I go to Jessica's studio, and you're looking at someone who can just touch things and doesn't need 50 people to do anything. You just touch it and you could actually, at the end of the day, look at what you made.
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Source: Slate - 🏆 716. / 51 Read more »