, a real art school in Oregon. I loved the way you let us roam the campus, finding activity and beauty and weirdness everywhere. It’s its own world. Not a utopia—it has its problems—but a place separate from those of us who have forgotten about art. Why was it important to you to explore a place filled with artists?: The Oregon College of Art and Craft is, sadly, like many art schools in America, defunct. It’s been a super important institution in the Pacific Northwest for 100 years.
Yeah, I think so. So when we got there, it was completely empty. And then we mapped out the floor, and what would go in each room. We were making up our own art school, which is really fun. Tony Gasparro, the production designer, started bringing in artists to make the work that would fill the rooms. All these recent art school graduates. It was Covid, so people were dying to do stuff, and they just started making stuff in every room, learning how to use the looms.
Most people that are making art are not famous! Most people that are making art do have day jobs. And it takes a community to sustain any art scene. In my day, you’d try to get to New York so you can meet people that are gonna be like you. And now I don’t know what the equivalent of that is. Rents are so high everywhere, I don’t know how young people could do it.
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