Lena Waithe and Kerby Jean-Raymond attend The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 6, 2019 in New York City.For most walking the red carpet at the Met Gala last month, which toasted the opening of the Metropolitan Museum of Art’s Camp: Notes on Fashion exhibition, the point was to make a fashion statement. But none were more bold than screenwriter Lena Waithe.
Exploring both fashion stills and the history of live modelling that eventually shaped black drag, Brown’sis revelatory because it is intersectional and, arguably, the first comprehensive historical treatment of this lucrative industry, where various forms of influential queerness have been hiding in plain sight.
Another important stop along the way to “Black Drag Queens Invented Camp,” Brown explains, is to look beyond the usual suspects and challenge the canon often covered by research to explore the counterarchive of image-makers who are queer as in otheror non-normative. By definition, that lens includes black models and the formation of a black marketing industry in the years after the Second World War, with pioneering African-American models such as Dorothea Towles and Helen Williams.
I fail to see how appropriating Ralph Steadman's work makes a case against appropriating camp?
And I thought our ancestors all lived in little tents
We were never taught this at the summer camps I went to. How dare they hide this from us! BlackDragQueensInventedCamp
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