Faith Ringgold in her studio at her home in Englewood, N.J., on June 7, 2013. Ringgold was one of the leaders of the Black Arts Movement of the 1960s, gaining worldwide prominence for her quilts. Employing a technique Ringgold developed a decade prior—painting and writing on fabric that she then quilted together—these 12 pieces illustrate the life of a fictional Black woman artist, Willia Marie Simone, who moves from Harlem to Paris in the 1920s.
Ringgold was a feminist, an activist, a teacher, a mother and an artist known for her innovative use of mediums, ranging from the more traditional oil on canvas, murals and mosaics to story quilts, protest posters and soft sculptures. Born Faith Willi Jones in Harlem in 1930, Ringgold was the youngest of three siblings. She was diagnosed at a young age with such severe asthma that she was long kept out of public school.
Ringgold did what she had to do to get her degree, but she later returned for a master’s in art as well. She married in those years, too, and had two daughters less than a year apart—Michele in January and Barbara in December 1952—before divorcing their father soon after. In 1971, Ringgold painted an ambitious, 8-foot-square mural to adorn the walls of the Women’s House of Detention at Rikers Island Correctional Facility. In eight triangular scenes, the mural portrays Black, brown and white women playing professional basketball, driving buses, working as police officers, studying and caring for small children, among other occupations.
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