Film School: 3:10 To Yuma

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While both formats were still fairly common, increasingly by 1957, bigger budget Westerns were being shot in color; many of the other releases that year——had palettes so comparatively bright they could have scorched a person’s eyeballs.

Despite that, until said finale, the basic structure of the two movies is largely identical, with Mangold lifting plenty of lines, sometimes whole exchanges, from the original. Crowe clearly modeled his performance on Ford’s, with his shark smile intriguingly masking his real feelings. In the first film, beyond his desperate need for payment, Dan’s quest is motivated by the emasculating knowledge that his two young sons are disappointed in him.

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