In 'Consent,' an author asks: 'Me too? Did I have the agency to consent?'

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Jill Ciment wrote about a relationship she had with a teacher when she was very young – that turned into a marriage – in Half a Life. Now, eight years after his death at 93, she reconsiders their relationship in light of the #MToo movement.

It is primarily about her hardscrabble childhood in California's San Fernando Valley, dominated by her difficult, volatile father, whom Ciment realized in hindsight was autistic. But about halfway through, Ciment's life takes a turn, when at 16, she signs up for figure drawing classes, which she pays for with earnings from a part-time job. She develops a crush on the teacher, a married artist 30 years her senior named Arnold Mesches. Within a year, they are having an affair.

"If Arnold kissed me first, should I refer to him in the language of today --sexual offender, transgressor, abuser of power? Or do I refer to him in the language of the late 90s, when my 45-year-old self wrote the scene? The president at that time was Clinton, and the blue dress was in the news. Men who preyed on younger women were called letches, cradle-robbers, dogs.

 

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