His death was confirmed by Chapman University dean Stephen Galloway, a friend of Friedkin’s wifeHis final film, “The Caine Mutiny Court-Martial,” starring Kiefer Sutherland, is set to premiere at the Venice Film Festival.
After the critical glory of “The French Connection” came 1973’s “The Exorcist,” which grossed an astounding $500 million worldwide and, along with “The Godfather,” initiated the blockbuster era in motion pictures. Adapted from William Peter Blatty’s novel about the demonic possession of a young girl, “The Exorcist” was a heavily stylized thriller, as influential on the horror genre as “Connection” had been with cop thrillers. It brought him a second Oscar nomination as best director.
In the mid-’60s, he left documentaries behind, hoping to break into feature filmmaking. He directed an episode of “Alfred Hitchcock Presents” before he got his break when producer Steve Broidy hired him to direct the pop music story “Good Times,” starring Sonny and Cher, in 1967. But “The Exorcist” proved to be his last box office bonanza. He did not direct another movie until 1977’s “Sorcerer,” a challenging remake of Henri-Georges Clouzot’s “The Wages of Fear.” It went well over budget and disappointed at the time, though it has since become appreciated. He followed those with thriller “The Brink’s Job,” the controversial “Cruising” and the 1983 comedy “Deal of the Century.
Except for “Rampage” in 1987, Friedkin was spending most of his time working in television on series such as “Tales From the Crypt,” “The Twilight Zone,” “Space Quest” and “C.A.T. Squad.” In 2000 he directed the moderately successful military drama “Rules of Engagement.” In 2011 he finished “Killer Joe,” which Letts adapted from his own play, with Matthew McConaughey and Emile Hirsch in the lead. The controversial crime pic had a limited release in the U.S. in 2012. The film, estimated to have been budgeted at $11 million, grossed only $4 million worldwide. Friedkin also directed two episodes of “CSI.”