Orchids are beautiful but require great patience; once germinated, the flower can take several years to bloom. But though they may seem fussy, it is actually quite easy, I’ve read, to tend to them as long as you exercise that most significant of virtues. I have never had the inclination myself, but there are certainly other ways I apply what little patience I do have.
But the films of preeminent Thai director Apichatpong Weerasethakul eschew the necessity of understanding. They require not just a suspension of disbelief but a near-total abandonment of preconceptions. This isn’t done aggressively or, as may sometimes be the case, pretentiously—rather, Weerasethakul does so languidly. Like orchids, his films require immense patience, and the reward is appreciation, the wonderful awareness of being in the moment with no pressing desire to fathom.
Between Monday, April 24, and Friday, April 28, Weerasethakul will again appear in person, this time at several screenings of his films between Block Cinema at Northwestern University and the Gene Siskel Film Center. On Monday at Block is, the first Thai film ever to screen in competition at the Cannes Film Festival, where it also became the first such film to win a major prize.
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