,” which borrowed from his own life growing up queer and surrounded by despair and addiction. That same year, he received a MacArthur “genius” grant. Two months after news of the MacArthur Fellowship was made official, his mother, who had inspired so much of his work, died from cancer.
I learned that I can’t write and teach. I can only go a hundred and ten per cent. That’s my only register. And so I give all to the students, and then I have nothing left for my work. It’s important to keep them separated. That’s really interesting. I find myself sometimes stressing out about writing student feedback in a way that I don’t feel stress when writing professionally. And I think maybe it does come out of some insecurity about my authority. And I’ve sometimes wondered if everyone carries that with them, or whether it does have to do withI don’t think of it as correcting their work as they hand it in but as offering them tools to create the next version. It’s, like, what you’ve done is what you’ve done.
Yeah. Because no one cares. And also, if you’re reading, it’s almost like kryptonite in that space. It’s, like, no one wants to go to a Popeyes to have anything to do with work. They go there to get Popeyes and go on their way. It’s very transient. When you are static in that space, you realize that you almost become invisible. The location absorbs you, which is a wonderful way to work. I used to do that also in the food court in the New World Mall, in Flushing.
,” when she questions the point of writing at all. She asks, “What’s the point of writing if you’re just gonna force a bunch of ants to cross a white desert?” Every poet could probably tell you something different, but for me there’s two general modes. One is the poem of the premise, and the other is the poem of the line. The line is similar to a jazz riff. You have a good line and then you try to build on that. It’s much more playful, it’s much more exploratory. The poem “Almost Human” is like that. I started with this line: “I come from a people of sculptors whose masterpiece was rubble.
I was trying to explain this to my aunt, this lexicon of American violence, and she was utterly horrified. She’s, like, “Why would they use those words?” ’Cause in the Vietnamese context—and it might be similar to Chinese—words are like spells. If you talk about death, death visits you, so you don’t talk about death at the dinner table. There’s a lot of taboo around speech and how it brings forth the darkness.
I don't find this is generally true.
That’s a bit esoteric but a good hook... I suppose?
That’s true
The is so damn true. Surfing, but harder. Brutal hard.
I completely disagree!!!
We are all still learning. Some of us though will never learn.
That’s not true. Good grief.
Ratio
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Long live democratic socialism and chairman xi jinping
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*Vuong
Long live democratic socialism and chairman xi jinping
Everyone keep talking about your diligence and honesty and I must say that you are very transparent in your mood of operation and promises, thank you MarkdonaldTowns for transforming my life for the best financially.
time is a mother it just slowly tries to kill you until you can't function all the way like my mom she hits notes that should be illegal like the abusive side of KATHLEEN LAWSON kind of name is that start talking about my mom on social media
It’s true, writers are always starting over. But I learn something from everything I write. Every single thing.
Tell that to TV. Everything is the same.
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