Learning how to party again

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What most stands out from a recent Frieze week party at Del Vaz Projects, an art space housed in Shirley Temple’s childhood home, is not so much the memory of Instagrammable ephemera or bacchanalian events but rather a feeling of open-heartedness.

For those who don’t remember, a party is a kind of deliberate, yet free-form social context generated for the purpose of …Oh, I’ve been to parties in the past two years. Since the onset of the pandemic they’ve tended to fall on either end of an emerging social spectrum. There are brand-driven, micromanaged content mills where everything is photographable but nothing is beautiful. No one knows how to act without a phone or a customized cocktail in hand.

. The dangers there lie less in the substances but the anecdotes, which, after reaching a certain level of repetition, atrophy into proxies for a personality.Jay Ezra Nayssan started Del Vaz Projects out of his West Los Angeles apartment in 2014, curating intimate exhibitions that were an extension of his hospitality.

Inside there is studio space for visiting artists and a garden space for beekeeping, outdoor baths and seasonal vegetable growing. There is a tiny greenhouse that doubles as aroom or houses coolers of handmade popsicles from Mateo’s Ice Cream, or, as it does on this night, is used for extra dining space for the opening of the exhibition “Shell” during Frieze week.

There is the apothecary, a tiny office-turned-storefront off the main courtyard with objects and imbibables created by friends and artists or culled from the flora and fauna cultivated in the backyard. Del Vaz now operates as a 501, with Jay heading the exhibitions and publications and Max handling the grounds and finances. “The apothecary is really where we meet in the middle,” Jay tells me.

 

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