Labrinth and Zendaya Talk Creative Evolution and the Future of 'Euphoria'

, already a very famous human when the show premiered last June, but one who, as the drug-addled teenager Rue, revealed an angst we hadn’t seen before. But there was also another star who emerged during thecraze, who despite not appearing on screen once, left a profound imprint on the show’s DNA.

t’s pretty dusty. There’s cobwebs all over the place. There’s spiders just crawling out every five minutes.LABRINTH: Exactly. I’ve got spiders helping me finish the record.EuphoriaLABRINTH: No, but Sam [Levinson] has been inundating me with music, just like, “Lab, check this out.” I think he sent me like 20 tracks. I’m really excited because I get a chance to refine what I didn’t do before, if that makes sense.LABRINTH: I don’t know.

ZENDAYA: I completely understand. There’s some people that are just good at what they do, and make you want to try harder. LABRINTH: I was forced to finish some of them, because I advised everyone early on, “I’m kind of making songs as well, so people might want them.” And they’re like, “No, man, it’s just a score.” And I was like, “Okay, cool.” And then Twitter and Instagram started going crazy. I was working on this song that I did for Beyoncé onjust came out,” and they’re like, “Where the fuck is theZENDAYA: That’s hilarious. I know your album just came out, and that’s extremely exciting.

ZENDAYA: What’s cool about your music is sometimes it’s genre-less. It’s a fusion of eight different genres in one song, and I think that’s really hard to pull off. LABRINTH: I love both, but it depends on the artist. Sometimes in the studio with an artist, they’re insecure, so it creates more ego in them. They sit in the studio, and it’s like, “I don’t like that. And I want this, and do that.” And you’re like, “This is not creative energy. This is ego energy.” And anytime there’s ego energy in the studio, I’m kind of like, “I’m out. I can’t do it.” I’m more inspired when the person is really creative and free, and mentally free. Then I’m in.

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